Specifications include, but are not limited to: 1. Promenade Stage: Primary use: Band stage; Area of sound coverage: 150’ long x 100’ wide area in front of stage; Audience served: 500 to 2,500 in middle of food court. a) FOH Console • 1 Yamaha M7CL console, 48 x 8 x 2 digital mixing console (or comparable) for mains and monitors, with doghouse patch cables and fan outs, including two (2) Yamaha PW 800 power supplies and 1 UPS battery backup supply. Console must have eight (8) discrete effects monitor sends on each channel. Monitors shall be folded back to the stage from FOH. b) FOH Main Speaker System • 8 medium/large format line array speaker modules. Must be 3-way units capable of maximum spl output 130db. (Must be of acceptable national brand, i.e, JBL, L-Acoustics, Meyers.) • 8 dual 18 subwoofers. Must be capable of 130db output with minimum 2000 watts RMS. (Must be of acceptable national brand, i.e., JBL, LAcoustics, Meyers). Note: Some will be put under the stage. • 2 short array frames to fly speaker arrays. • 2 Genie lift towers to fly speaker modules (Subs should be trapezoidal shape. To be placed in the “V” shape of the genie towers-outrigger legs.) • 1 small rigging box (Shackles, Steel, Spansets, etc.) c) FOH Electronics (Processing) • 2 XTA or BSS Stereo 4-way crossover/processor for frequency dividing. One for mains, one for delaying the subs. (Unit must have current tunings.) • 2 1/3 Octave EQ’s, XTA, DBX, Yamaha • 1 Digital delay unit (Roland, Yamaha, TC Electronics, Lexicon) • 4 Digital effects units (Yamaha, Lexicon, TC Electronics) • 8 Compressor limiters (DBX, Aphex, Drawmer) • 8 Gates (Aphex, DBX, Drawmer) • 6 1/3 Octave EQs for monitors from FOH (Yamaha, Digitech, Ashly, DBX) • 1 FM Tuner (TOA, Sony, Sanyo) • 1 Compact disc player (Tascam, Denon) • 1 iPod Patch Cable d) Microphones, DI Boxes, Microphone Stands • 6 Shure UHFR pro wireless combo microphone systems with Shure SM-58 heads and Shure SM-185 lapel mics, also supply 6 countrymen, E6 head worn microphones. • 12 Direct boxes (Countryman, Whirlwind) • 40 Professional grade microphones (Shure SM57’s, SM58’s, Beta 98’s, Beta 91’s, Beta 52’s, SM81’s, SM94’s, AKG & Sennheiser models of similar quality) • 40 Assorted microphone stands. (Round base straight and with boom, short round base boom, straights, round base tripods with boom, short tripods with boom) • Note: Contractor shall supply AM batteries for all wireless supplied. e) Snake • 1 200-foot audio snake with splitter and XLR fan-outs. Must be a minimum of 200 feet, and must be flown for the audience’s safety. Must be at least 36 channels, plus 10 return lines back to stage.
